Gambling in the works of Russian classics

Gambling in the works of Russian classics

There are many game terms in the works of Russian classics, such as “The Player” by Fyodor Dostoevsky. In this novel, a pompous gambler and a shallow brave queen make absurd and sometimes insane bets. They throw away their stuff even when they don’t know what to spend it on and for whom, in the end. Today it seems to be a selfish aspiration, because consumerism is flourishing, and it is easier to be a materialist than to be poor and useless.

George’s narrative tells us that not knowing what wealth means can also reduce human compassion, as they engage in uncivilized games to become more respected among the great people in society, such as the general public. In this narrative, one may wonder whether contributing to society is more important than joining the illustrious world of the nobility.

What is a gambling game from the Russian classics? In one of his essays on this topic, Boris Gasparov described the slang for gambling.

In the works of Russian classics there are elements that influence gambling. They served as warning signs for society about the spread of inequality in Russia, where gambling was part of everyday life.

The value system of many Russian classics is focused on service, piety, justice and poverty. The narrator constantly emphasizes the importance of these values and how they allow a person to find inner peace and happiness:

  • Yaroslav Dvornik, a historian from Prague, argued that “personal satisfaction from gambling is encouraged” in all the works he analyzed.
  • In “Anna Karenina” and “War and Peace”, the main characters often go to risk their fortune or lose it.
  • Ludwig Mitmann also argued that gambling imitates God, and the underworld acts as a hired weapon.

Subsequently, publishers began to create the first use of the term. “Gambling creates a path that is indistinguishable from a dreamy and melancholic aspiration”, according to this characterization of the popular novelist Nabok.

Ostrovsky probably drew inspiration for the book not only from words, but also from an English term that mostly goes back to Shakespeare. Needless to say, English terms are not only important, but also the most important sources of inspiration for literature.

One of the pillars of honor was the night card game “Scams, proverbs and Reasons” or trivia. Although this is just a satirical work of art, the game has been practiced from generation to generation, and the collector’s game “FowKal-Creator” is still being played to win in the atmosphere of Roman Pronin’s reconstruction. Like sports betting a few decades ago in colonial times (Oceania) on British territory and on the borders of British India, this rare variant of tulip racing is still held today.


We all like to take risks, especially when the chance of winning is worth the risk. However, statisticians believed that the practice of betting was associated with a high probability of compulsive abuse, and therefore gambling was declared illegal. Russian classics gave rather optimistic views on gambling and turned out to be quite in tune with modern poker tests.

We get our characters from the text, carefully study each of them, carefully study their words and actions and use this to create an even more thorough performance, which is shared around the world. Gambling has played an important role in these classic works that depict how human character develops in these close battles between good and evil.

Embark on a journey through the rich literary heritage of Russia, with really good literature at your disposal!

In the Russian classical era, there were all kinds of gambling. “The World of Gambling: the Future of the Global Game” proved this because it analyzed many areas of gambling, revealing economic conditions, correlations with politics and sociological factors that distorted its definition.

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